Studer® is a registered trademark property of Studer International AG. Ampex® is a registered trademark property of Ampex Corp. Pultec® is a registered trademark property of Pulse Techniques, LLC. Fairchild® is a registered trademark property of Avid Technology, Inc. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. Use of these names does not imply any cooperation or endorsement. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. T-RackS® is a registered trademark property of IK Multimedia Production. The higher speed gives you more fidelity, and the lower speed delivers a warmer, rounder tone.
Select the speed of the tape transport between 7.5 and 15 or 15 and 30 inches per second (“ips”), depending on the tape machine used. If perfectly identical left and right channel processing is a must, simply disable this feature. This is good and part of the analog recording mojo! The TASCAM Tape Collection perfectly recreates these subtle differences to deliver the real experience. “Repro” passes your signal through the entire analog recording system: input-> recording amplifier -> recording head -> tape -> playback head -> playback preamplifier -> output stage.Įven a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. Depending on how the recorder is designed, the “Input” path can sound extremely transparent or just slightly more colored. With “Input,” the signal only passes through the input and output electronic stages of the recorders, bypassing the tape.
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